Here I began to experiment with putting down a acetate plate first with colour ink rolled onto it, and then the wood cut on top of it, eventually the more I experimented I began to make the bottom layer a mono print, where I made marks into the colour, exposing some of the white from underneath it. I think the is a huge variation between the prints success according to the colour underneath it, some of them really do not work, however I think the red and yellow work well underneath the rich black ink on top.
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